“George Eliot’s Feuerbach: Senses, Sympathy, Omniscience, and Secularism” in George Eliot, Middlemarch: Norton Critical Edition, ed. Ronjaunee Chatterjee (New York: W. W. Norton & Company, forthcoming 2024).
My written work has focused on the relationship between literary and other social forms in the long eighteenth century in Britain. In my book Harlequin Britain, I explore the relationship between pantomime entertainments--the most popular form of theatrical performance in the period--and the public sphere.