Poetry. The student prepares extensively the oeuvre of each of 8 poets, including the major verse genres practiced by each, along with relevant selections from the prose. The poets should be chosen in accordance with the following historical distribution: 2 poets before 1600, 2 between 1600 and 1800, 2 between 1800 and 1900, 2 since 1900.
The student compiles a list of 30 poems, by poets other than the chosen 8, spanning the major genres (from epigram and sonnet through epistle, elegy, and ode, to ballad, drama and epic), and attending as above to historical distribution.
Poetics. No approach will be useful that lacks a clearly defined intellectual perspective. The following field-lists of primary and secondary texts suggest, in the first instance, the historical, theoretical, and methodological horizons that are to be borne in mind as students construct an exam-list of readings representing a particular approach. In practical terms, students choosing this field will consult with their advisors about how their specific list can best draw in detail upon, and reflect in its general proportions, the traditional lists given here.
The student prepares 20 of the following primary texts - 15 items pre-1945, 5 items post-1945 - and 6 works from the list of secondary texts, one of which (Princeton Encyclopedia entries) is starred as mandatory.
PRIMARY TEXTS TO 1945 [pick 15]
Aristotle, The Poetics Parts I-IX
Plato, from Ion; from Phaedrus; Republic Book X
Pseudo-Longinus, On the Sublime Sections I - XVI
Horace, Ars Poetica
Augustine, De Doctrina Christiana
Bede, De Schematibus et Tropis
Matthew of Vendôme, Ars Versificatoria
Geoffrey of Vinsauf, Poetria Nova
Dante, "Letter to Can Grande,"De Vulgari Eloquentia
General prologue to Wycliffite Bible (from "The Idea of the Vernacular")
Torquato Tasso, Discourses on the Heroic Poem
Sir Philip Sidney, Apologie for Poetry
Edmund Spenser, Letter to Gabriel Harvey
John Milton, Preface to Paradise Lost
John Dryden, An Essay of Dramatic Poesy
Alexander Pope, Essay on Criticism
Joseph Addison, Spectator 409-410, 412
Robert Lowth, Lectures on the Sacred Poetry of the Hebrews 1, 4-5, 14-15
Edmund Burke, A Philosophical Enquiry into. . . the Sublime and the Beautiful
Adam Smith, "Considerations Concerning the First Formation of Languages" (1767); _ Joshua Steele, Prosodia Rationalis
Samuel Johnson, from Preface to Shakespeare; "Thomas Gray"; "John Milton" (from Lives of the Poets)
Thomas Warton, History of English Poetry
Thomas Jefferson, "Thoughts on English Prosody"
William Blake, The Marriage of Heaven and Hell Plates 6-15.
Immanuel Kant, "What is Enlightenment?"; Critique of Judgment Books I and II
Friedrich Schiller, "On Naïve and Sentimental Poetry"; On the Aesthetic Education of Man Letters 6, 9, 16, 20, 22
A. W. Schlegel, "Ancient and Modern, Classical and Romantic" (from Lectures on Dramatic Art and Literature)
William Wordsworth, Preface to Lyrical Ballads (1800)
S. T. Coleridge, Biographia Literaria chapters 13, 14, 17, 22.
Percy Bysshe Shelley, "A Defence of Poetry"
John Keats, Letters (To J J. H. Reynolds, 17-18 April 1817; to Benjamin Bailey, 22 Nov. 1817; to George and Thomas Keats, 28 Dec. 1817; to J. H. Reynolds, 3 May 1818; "Epistle to John Hamilton Reynolds"
Arthur Henry Hallam, "On Some of the Characteristics of Modern Poetry and on the Poetry of Tennyson"
Thomas Carlyle, "The Hero as Poet"
Ralph Waldo Emerson, "Circles"; "The Poet"
Edgar Allan Poe, "The Philosophy of Composition"; "The Poetic Principle"
Matthew Arnold, Preface to Poems (1853)
Robert Browning, "Essay on Shelley"
John Ruskin, "Of the Pathetic Fallacy," from Modern Painters
Walt Whitman, Preface to Leaves of Grass (1855)
Emily Dickinson, letters to T. W. Higginson of April 25, 1862, June 7, 1862, and July 1862
Charles Baudelaire, "Further Notes on Edgar Poe"; The Painter of Modern Life
Stéphane Mallarmé, "The Book. A Spiritual Instrument"; "Crisis in Poetry"; "Music and Literature"
Augusta Webster, "Poets and Personal Pronouns"
Arthur Rimbaud, Letters (to Georges Izambard, 13 May 1871; to Paul Demeny, 15 May 1871)
Walter Pater, "The School of Giorgione," "Conclusion" to The Renaissance
Gerard Manley Hopkins, "Author's Note"; letters on "sprung rhythm" (to Robert Bridges, August 21, 1877, and to Richard Watson Dixon, October 5, 1878); on "oddness" (to Bridges, February 15, 1879); and on "language heightened" (August 14, 1879)
Sidney Lanier, The Science of English Verse
Oscar Wilde, "The Critic as Artist"
W. B. Yeats, "The Symbolism of Poetry"
Osip Mandelstam, "The Word and Culture"; "On the Nature of the Word"
Viktor Shklovsky, "Art as Technique"
Roman Jakobson, "Linguistics and Poetics"
T. E. Hulme, "Romanticism and Classicism"
Amy Lowell, ed., Preface to Some Imagist Poets
Ezra Pound, "I Gather the Limbs of Osiris"; "A Retrospect"; from How to Read
T. S. Eliot, "Hamlet and his Problems"; "Tradition and the Individual Talent"; "The Metaphysical Poets"
Gertrude Stein, "Poetry and Grammar"
William Carlos Williams, Prologue to Kora in Hell
D. H. Lawrence, Preface to New Poems
Langston Hughes, "The Negro Artist and the Racial Mountain"
Hart Crane, "A Letter to Harriet Monroe"
Marianne Moore, "Humility, Concentration, and Gusto"
Robert Frost, "The Figure a Poem Makes"
Wallace Stevens, "The Noble Rider and the Sound of Words"
Paul Valéry, "Poetry and Abstract Thought"
Theodor Adorno, "Lyric Poetry and Society"
Walter Benjamin, "The Task of the Translator"; "The Work of Art in the Age of Mechanical Reproduction"
Kenneth Burke, from Philosophy of Literary Form: "The Philosophy of Literary Form"; "Semantic and Poetic Meaning"; "On Musicality in Verse"
Cleanth Brooks and Austin Warren, Understanding Poetry
PRIMARY TEXTS POST-1945 [pick 5]
W. H. Auden, "Writing"
Amiri Baraka, "The Myth of a 'Negro Literature'"
Louise Bennett, "Jamaica Language"
Charles Bernstein, A Poetics
Aimé Césaire, "Poetry and Knowledge"
Allen Ginsberg, "Notes Written on Finally Recording Howl
Robert Graves, "Harp, Anvil, Oar"
Seamus Heaney, "Feeling into Words"
Philip Larkin, "The Pleasure Principle"
Frank O'Hara, "Personism: A Manifesto"
Charles Olson, "Projective Verse"
Denise Levertov, "Some Notes on Organic Form"
Adrienne Rich, "When We Dead Awaken: Writing as Re-Vision"
Laura Riding Jackson, from The Telling (in Laura Riding Jackson Reader 2005)
Theodore Roethke, "What Do I Like"
Ron Silliman, "The New Sentence"
Dylan Thomas, "Poetic Manifesto"
Derek Walcott, "The Antilles: Fragments of Epic Memory"
** From The Princeton Encyclopedia of Poetry and Poetics, 4th ed (Greene & Cushman, eds), entries on
Poetics (Western), Poem, Poet, Poetry, Classical Poetics, Medieval Poetics, Poetics (Western), Poem, Poet, Poetry, Classical Poetics, Medieval Poetics, Renaissance Poetics, Neoclassical Poetics, Preromanticism, Romantic and Postromantic Poetry and Poetics, Modernism, Postmodernism, Postcolonial Poetics, Avant-Garde Poetics
plus 4 additional entries of the student's choosing
To the above mandatory selection, add 5 of the following:
Stephen Adams, Poetic Designs
Derek Attridge, Poetic Rhythm: An Introduction
Harold Bloom, "The Internalization of Quest Romance", The Anxiety of Influence
Sigurd Burckhardt, "The Poet as Fool and Priest" (from Shakespearean Meanings)
Carol Christ, Victorian and Modern Poetics
Jonathan Culler, Structuralist Poetics
Stuart Curran, Poetic Form and British Romanticism
Stephen Cushman, William Carlos Williams and the Meanings of Measure
Paul de Man, "The Rhetoric of Temporality" (from Blindness and Insight)
Antony Easthope, Poetry as Discourse
William Empson, The Structure of Complex Words
Veronica Forrest-Thomson, Poetic Artifice. A Theory of Twentieth-century Poetry
Alastair Fowler, Kinds of Literature
Northrop Frye, Anatomy of Criticism
Paul Fussell, Poetic Meter and Poetic Form
John Hollander, Vision and Resonance
Virginia Jackson and Yopie Prins, eds, The Lyric Theory Reader
Julia Kristeva, "Word, Dialogue, Novel"; "Revolution in Poetic Language"
Justus Lawler, Celestial Pantomime: Poetic Structures of Transcendence
Angela Leighton, On Form
Jerome McGann, "The Truth of Poetry. An Argument"; "Marking Texts of Many Dimensions"
Patricia Parker and Chaviva Hosek, eds, Lyric Poetry: Beyond New Criticism
Marjorie Perloff, "Pound/Stevens: Whose Era?"; "Lucent and Inescapable Rhythms: Metrical 'Choice' and Historical Formation"; Poetics of Indeterminacy
Jahan Ramazani, A Transnational Poetics
I. A. Richards, "Rhythm and Metre"
George Saintsbury, History of English Prosody (the interchapters)
Jean Paul Sartre, "Black Orpheus"
Dennis Taylor, Hardy's Metres and Victorian Prosody; Hardy's Literary Language and Victorian Philology
Helen Vendler, Introduction to Soul Says
Andrew Welsh, The Roots of Lyric
W. K. Wimsatt and Monroe Beardsley, "The Concept of Meter: An Exercise in Abstraction"
W. K. Wimsatt, "One Relation of Rhyme to Reason"